About Chasing Chopin


A modern take on a classical icon: this original, entertaining, well-researched book uses the story of when, where, and how Chopin composed his most famous work, uncovering many surprises along the way and showing how his innovative music still animates popular and art culture centuries later.

The Frédéric Chopin Annik LaFarge presents here is not the melancholy, sickly, Romantic figure so often portrayed in both popular culture and scholarship. The artist she discovered is, instead, an inspiring, independent spirit: an innovator who created a new musical language; an autodidact who became a trailblazing teacher; a celebrity who shunned the limelight; a mimic with a roguish, playful sense of humor; a stalwart patriot during a time of revolution and exile.

In Chasing Chopin she follows in his footsteps during the three years, 1837-1840, when he composed the now-famous funeral march from his Opus 35 sonata, using its composition story to illuminate the key themes of Chopin's life: a deep attachment to his Polish homeland; his complex relationship with writer George Sand; their harrowing but consequential sojourn on Majorca; the rapidly developing technology of the piano, which enabled his unique tone and voice; social and political revolution in 1830s Paris; friendship with other artists, from the famous Eugène Delacroix to the lesser known, yet notorious in his time, Marquis de Custine. Each of these threads – musical, political, social, personal – is woven through the Funeral March, a melody so famous it’s known around the world even to people who know nothing about classical music. But it is not, as LaFarge discovered, the piece of music we think we know. Inside this work, which has been fundamentally misunderstood since the day Chopin sent it off to his publisher in 1840, she discovered a series of surprises that led to a new and broader understanding of this much-loved, perpetually relevant composer. As part of her research into Chopin’s world, LaFarge, herself a dedicated amateur pianist, visited piano makers, monuments, churches and archives; she talked to scholars, jazz musicians, video game makers, software developers, music teachers, theater directors, and of course dozens of pianists. 

The result is an engrossing, page-turning work of musical discovery and an artful portrayal of a man whose work and life continue to inspire artists and cultural innovators in astonishing ways.

cover image © Piotr Micherewicz  

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